blueFROG's take on Akim El Sikameya
The Franco-Algerian singer Akim El Sikameya, with his top C voice, powerful yet ambiguous, and his unique fiddling style playing the fiddle rested on his thighs, while standing up, carries a very singular Arab–Mediterranean universe - between gypsy and jazzy tones, sometimes raï, flamenco or klezmer ska.
About Akim El Sikameya
Born in Oran, a city considered to be the Algerian capital of music, Akim El Sikameya joined a well-known Arab-Andalusian music school at the age of 8. Thanks to his studies, Akim has formed a strong musical background as well as an all-embracing outlook on life, which crosses borders and cultures.
At the time, Oran was waking up to a different style of music, raϊ, as the Algerian youth were introduced to artists such as Cheb Khaled, Chaba Fadela and Cheb Mami. While Akim’s lyrics speak out against fundamentalism and the totalitarianism of his homeland, he does not adopt the plain-speaking lyrical customs of raϊ. Rather, he writes in a style more reminiscent of a semi-classical, Andalusian approach, while attempting to remove the elitist reputation of the lyrics to allow them to be accessed by the populace.
Born in Oran, a city considered to be the Algerian capital of music, Akim El Sikameya joined a well-known Arab-Andalusian music school at the age of 8. Thanks to his studies, Akim has formed a strong musical background as well as an all-embracing outlook on life, which crosses borders and cultures.
At the time, Oran was waking up to a different style of music, raϊ, as the Algerian youth were introduced to artists such as Cheb Khaled, Chaba Fadela and Cheb Mami. While Akim’s lyrics speak out against fundamentalism and the totalitarianism of his homeland, he does not adopt the plain-speaking lyrical customs of raϊ. Rather, he writes in a style more reminiscent of a semi-classical, Andalusian approach, while attempting to remove the elitist reputation of the lyrics to allow them to be accessed by the populace.
This Arab-Andalusian influence was evident in Akim’s first band, El Meya, which he formed in 1990, transforming nubas (extended musical pieces brought to North Africa by Spanish Moors) from their traditional six- or seven-hour performances into much shorter songs. However, in 1991, civil war erupted between Islamic fundamentalists and the Algerian government, sparking a bloody conflict that lasted until 2002.
Akim was forced to leave for France in 1994 at the age of 21 following fatwas and a strategic attempt carried out to eliminate artists and intellectuals, forcing many into exile. Arriving in Marseille, Akim continued to develop his own repertoire. Thanks to his rare top-C voice and a unique fiddle-playing technique, Akim’s musical development flourished. He discovered his extraordinary voice whilst studying at the Conservatory, being singled out as the only student singing with such a high pitch.
His performances have made a significant impression, particularly his set at WOMAD in 2005, which BBC’s Martin Longley sums up as follows: ‘He projects a dignified, stratospheric sound, both in the qualities of his impossibly high voice and his ornamented, bittersweet violin.’ Along with his musical career, Akim El SIkameya has always been part of socio-cultural programs in non-profit organization.
Since 2008, he has been the Artistic Director of monthly parties in Paris which bring together people from different cultural background, ages and styles for one night. Called Les Noubas d’Ici (www.lesnoubasdici.com) those multicultural and multidisciplinary parties have been hugely successful.
"Aini" par Akim El Sikameya en concert dessine aux Noubas d'Ici
Other Videos of Akim El Sikameya
Akim El Sikameya's - Photos
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Akim El Sikameya (DNA Mumbai)
13th Sep 2011
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Akim El Sikameya (Hindustan Times)
13th Sep 2011
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Akim El Sikameya
6th Sep 2011
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