blueFROG's take on Trilok Gurtu
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About Trilok Gurtu
"Trilok Gurtu (born in Mumbai, India on 30 October 1951) is a Kashmiri Indian percussionist and composer, whose work has blended the music of his homeland with jazz fusion, world music and other genres. He has released his own albums and has collaborated with many artists, including Terje Rypdal, John McLaughlin, Jan Garbarek, Joe Zawinul, Bill Laswell, Maria João & Mário Laginha, and Robert Miles. Gurtu began playing western drum kit in the 1970s, and developed interest in jazz.
"Trilok Gurtu (born in Mumbai, India on 30 October 1951) is a Kashmiri Indian percussionist and composer, whose work has blended the music of his homeland with jazz fusion, world music and other genres. He has released his own albums and has collaborated with many artists, including Terje Rypdal, John McLaughlin, Jan Garbarek, Joe Zawinul, Bill Laswell, Maria João & Mário Laginha, and Robert Miles. Gurtu began playing western drum kit in the 1970s, and developed interest in jazz.
In a 1995 television special on Jimi Hendrix, Gurtu mentioned having initially learned western music without awareness of overdubbing, which, he said, forced him to learn multiple parts which most musicians would have never attempted. In the 1970s, he played with Charlie Mariano, John Tchicai, Terje Rypdal, and Don Cherry. One of Gurtu's earliest recordings was around 1977 in the record Apo-Calypso in an album of the German ethnic fusion band, Embryo. His mother also sang in that record, and later joined him in his first solo CD, Usfret.
In the 1980s, Gurtu played with Swiss drummer Charly Antolini and with John McLaughlin in McLaughlin's trio, accompanied variously by bassists Jonas Hellborg, Kai Eckhardt, and Dominique DiPiazza. The line-up with Hellborg performed at least one concert opening for Miles Davis in Berkeley, California in 1988. Collaboration between Gurtu and McLaughlin included vocal improvisations using the Indian tala talk method of oral drumming notations for teaching drum patterns.
Sometimes, Eckhardt would join in with hip-hop beat-box vocals for a three-way vocal percussion jam, while Gurtu and McLaughlin would throw in a few amusing words such as some Japanese brand names mixed with some Indian words. Some of the unusual aspects of Gurtu's drum playing include playing, without a drum stool, in a half-kneeling position on the floor, and use of an unconventional kick drum that resembles a large drum head with a kick-pedal, and a mix of tablas and western drums. Gurtu's unique percussion signature involves dipping cymbals and strings of shells into a bucket of water to create a shimmering effect. Gurtu joined Oregon after the death of drummer Collin Walcott.
He played in three records produced by this band: Ecotopia (1987), 45th Parallel (1989), and Always, Never and Forever (1991). In the early 1990s Gurtu resumed his career as a solo artist and a bandleader. Various noted musicians have backed him in a number of his CD releases. In 1999, Zakir Hussain and Bill Laswell founded a musical group, Tabla Beat Science, which played a mixture of Hindustani music, Asian underground, ambient, Drum and Bass, and Electronica. Gurtu joined this group along with Karsh Kale and Talvin Singh. The group released three albums before going dormant in late 2003. In 2004, Gurtu created an album, Miles Gurtu, with Robert Miles. His collaboration with the Arkè String Quartet began in 2007 with the release of the album Arkeology"
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